The belief that photography accurately represents reality (the pen of nature) is wrong, although it may seem so. An MRI is much more accurate even though it does not use an analog form like photography does.
The subjectivity of a photographic image is evident since its meaning is subordinated to a context and a simple title can change it drastically.
This collection aims to highlight this aspect by building images that more than show, want to suggest or evoke, and at this point, allows the personal interpretation of each one beyond showing a piece of the real world.
The look becomes an introspection of our personal references to find a different meaning for each person.
This collection is made up of 50 photographs taken with a medium format or 6x6 manual camera, and slide film has been used. Each photograph has a black frame produced by the cassette that houses the film. This frame has some small marks on its left side that identify the camera, a Hasselblad, in this case the CM-500 model, totally mechanical. For the realization of these photographs a Sonnar 180 mm objective has been used.
The frame that appears in the photographs indicates that the framing has not been modified and what is shown is as the photograph turned out at the time of taking it. The frame, the grain of the film and possible imperfections due to the chemical development process give these photographs a special character.
For conversion to digital, each slide has been manually scanned at a resolution of 3,200 ppi.
