Circles, in this project, become neither passive shapes nor mere aesthetic flourishes. Rather, they operate as self-referential signs - a closed system echoing Baudrillard’s notion of simulacra, where each imperfect circle perpetually refers to another, dissolving any notion of a stable or original form.
Yet within this cyclical field, a sudden divergence emerges in the spirit of Badiou’s "Event". A sudden break in the established rhythm - or the emergence of an entirely new pattern - acts as a rupture, compelling us to reinterpret the system as a whole.
