Inspired by the Four Horsemen of the Apocalypse, Apocalyptish reimagines porcelain kitsch as scenes of prophetic ruin.
These end-times-esque post-human visions feature riders screaming in anguish, melting like tortured candlestick figurines in a series of grotesquely theatrical compositions.
The works channel a sense of unease in response to the state of the world, its chaos, collapse, and absurdity. Apocalyptish suggests something not quite end-times, but hovering close, an almost-apocalypse.
The imagery is developed through a combination of earlier 3D works and AI interventions, allowing the past to be reshaped by synthetic tools, resulting in a blurred dialogue between nostalgia, dread, and digital reinterpretation.
